Auditions

Annie
May
17
to May 20

Annie

Saturday, May 17th at 7PM

Sunday, May 18th at 7PM

Callbacks (by invitation) Tuesday, May 20th at 7PM

View Event →

Gypsy
Mar
22
to Mar 25

Gypsy

Saturday, March 22nd: 6:00– 7:30 pm – Kids’ Call; 7:30 pm Adults & Teens

Sunday, March 23rd – 6:00 pm – Adults & Teens

Tuesday, March 25 – 7:00pm – Callbacks (by invitation only)

View Event →
Godspell
Feb
1
to Feb 4

Godspell

Saturday, February 1st at 1:00 p.m

Sunday, February 2nd at 7:00 p.m.

Callbacks: Tuesday, February 4th at 7:30 p.m.

View Event →
Shrek
Oct
13
to Oct 16

Shrek

Sunday, October 13 at 7pm

Monday, October 14 at 7pm

Callbacks

Wednesday, October 16 at 7pm

View Event →
Emilia
Jan
28
to Jan 29

Emilia

Sunday, January 28th at 7 pm

Monday, January 29th at 7 pm.

Callbacks will be held by invitation on Saturday Feb 3 at 1pm.

View Event →
Little Women
Oct
14
to Oct 16

Little Women

Auditions: Saturday, October 14 at 1 pm, Sunday, October 15 at 7 pm. Callbacks will be held by invitation on Monday, October 16 at 7 pm. All auditions will be at The CENTER for Performing Arts at Rhinebeck. (661 Route 308, Rhinebeck, NY 12572)

Performance Dates: December 8th - 23rd at The CENTER for Performing Arts at Rhinebeck (661 Route 308, Rhinebeck, NY 12572). Fridays & Saturdays at 8 pm, Sundays at 3 pm.

***There also may be one or two school shows during weekdays.***

View Event →
Cabaret
Oct
8
to Oct 10

Cabaret

Sunday, October 8 at 7pm

Monday, October 9 at 7pm

Callbacks: Tuesday, October 10 at 7pm (callbacks by invitation only)

Location: The CENTER for the Performing Arts at Rhinebeck.

Director: Peter Risafi

Musical Direction: JoAnne and Paul Schubert

Producer: CENTERstage Productions

Performance dates: Saturday, Jan 6 – Sunday, Jan 21, 2024. Fridays and Saturdays at 8pm, Sundays at 3pm. Additional performances Saturdays 1/13 & 1/20 at 3pm

View Event →
Peter and the Starcatcher
Sep
9
to Sep 11

Peter and the Starcatcher

Up In One Productions

Peter and the Starcatcher Auditions

Saturday, Sept. 9th at 1:00 pm

Sunday, Sept. 10th at 7:00 pm

Callbacks: Monday, Sept. 11th at 7 pm

(by invitation only)

Location: The CENTER for Performing Arts

Director/Choreographer: Nicole Tarcza

Music Directors: Paul & JoAnne Schubert

Stage Manager: Marie Weinfurt

Producer: Diana di Grandi

Performance Dates: November 3 – 19, 2023, Fridays & Saturdays at 8 PM, Sundays at 3 PM;

(possible weekday morning performance on 11/08)

Bring/Prepare:

1. 16 -32 bars of a song of your choice. Either bring your piano sheet music for our accompanist or a recording of your music.

2. Prepare one of the monologues from the show in our packet (link at bottom). Not all characters have monologues in the packet. Choose the one you think best demonstrates what you can do.

3. Be prepared to list any rehearsal conflicts

4. COVID AUDITION PROTOCOL: AT THIS TIME, WE WILL BE USING ONLY A FULLY VACCINATED

CAST, CREW, BAND AND PRODUCTION TEAM. PLEASE BE PREPARED TO SHOW PROOF OF VACCINATION UPON ARRIVAL

Note: While this show is not a musical, it is a play with music. Not all actors will be required to sing in the show; but everyone is asked to sing at their audition. Please note that Molly, Black Stache, Mrs Bumbrake and Smee are featured singers.

Seeking: Highly versatile performers. We will be building a diverse ensemble of creative actors who can tell any theatrical story with physical expression, language, a few props and a ton of imagination. We strongly encourage performers of all identities: races, gender expressions, sizes, physical abilities, sexual orientation, religions, ethnicities, and countries of origin to audition.

Overview

As Wicked provides a prequel to The Wizard of Oz, the Story of Peter and the Starcatcher provides a humorous and fantastical backstory for the beloved character of Peter Pan and his arch-nemesis Captain Hook. In this wickedly imaginative play, we meet a poor orphan on the high seas simply called Boy because, in the absence of a mother and a father, he was never given a name. His sad and lonely world is turned upside down when he meets Molly. The daughter of famous Starcatcher Lord Astor, our heroine, is on a mission to save the world and protect a treasure trunk filled with magical star stuff from getting into the hands of evil and greedy pirate Black Stache. As they travel aboard the Neverland ship headed for a faraway land, Molly and Boy learn about love and friendship and forge an unbreakable bond.

Book by Rick Elice Music by Wayne Barker

THIS IS THE VERY DEFINITION OF AN “ENSEMBLE” PIECE. MOST ACTORS WILL BE ON STAGE FOR

SEVERAL SCENES AND MANY WILL PLAY MORE THAN ONE DIFFERENT AND UNFORGETTABLE

CHARACTER.

WHILE CHARACTER DESCRIPTIONS SPECIFY A GENDER, ALL ROLES ARE POTENTIALLY OPEN TO

ALL GENDERS.

CHARACTER BREAKDOWN

Black Stache - A notorious pirate, terrorizing the seven seas in search of a worthy adversary. Heartless, hirsute, and suspiciously well-read. Partial to the poetical and theatrical, which causes him to behave quite flamboyantly. Gender: Male, Age: 30 to 50

Molly Aster - A young girl and Starcatcher apprentice who is taken aboard the Neverland as precious cargo. Curious and intelligent, she is only beginning to understand the confusing romantic longings that come with her age. She will risk anything for the sake of what is right. Gender: Female, Age: 16 to 25

Boy/Peter - A lonely and hardened orphan who doesn't miss much. Nameless, homeless, and friendless at the beginning of the play and a hero by the end. He wants a home and a family more than anything, and dreams of a life of being free. Gender: Male, Age: 16 to 25

Grempkin - The schoolmaster of St. Norbert's Orphanage for Lost Boys. Mean and malodorous, he revels in keeping his boys in the dark and malnourished. Gender: Male, Age: 40 to 60 Optional Doublings include: FIGHTING PRAWN; MACK; SÁNCHEZ.

Mrs. Bumbrake - Molly's nanny, a stereotypical British cad and outfitted with the duty of teaching Molly about womanhood. She still has enough charm in her age to attract a sailor or two. Optional Doubling as TEACHER. Gender: Female Presenting, Age: 40 to 60

Bill Slank - The vicious orphaned captain of the Neverland. Does not possess the capacity to lead anyone but himself, which puts himself constantly in disaster. Greedy enough to send boys to their doom for thechance of gaining starstuff. Gender: Male, Age: 35 to 55. Optional Doubling as HAWKING CLAM.

Smee - Black Stache's first mate. He is single-mindedly dedicated to his captain's every whim. Gender: Male, Age: 25 to 55

Prentiss - An orphan, ambitious, hyper-articulate, and logical. He yearns to be a leader, even when he knows in his heart that he'll never be one. A bit of a blowhard with a touch of cowardice. Gender: Male, Age: 13 to 25

Alf - A seafarer, an old sea dog proud of his tenure. His kind heart gives him an appeal to the feminine sensibility. Gender: Male, Age: 50 to 65

Lord Leonard Aster - Molly's father, a loyal subject to the Queen. The very model of a Victorian English gentleman, he is a faithful friend and a secret Starcatcher. Gender: Male, Age: 40 to 60

Captain Robert Falcon Scott - Lord Aster's old school friend, the captain of the Wasp, Britain's fastest frigate. Lives with nautical bravura and heroic patriotism. Gender: Male, Age: 35 to 45

Ted - An orphan obsessed with food. A natural performer with easy wit and quite poetic language. Gender: Male, Age: 16 to 25

Ensemble - Sailors; Seamen; Seafarers; Orphans; Pirates; Mermaids; Mollusks; Narrators

Please click on the following link for the audition monologues and the rehearsal schedule:

Audition Material and Schedule

For questions, contact: upinoneprod@gmail.com

View Event →
The Iceman Cometh
Aug
12
to Aug 14

The Iceman Cometh

Audition Dates:

Saturday, August 12, 2023 at 1pm

Sunday, August 13, 2023 at 7pm

Callbacks: Monday, August 14, 2023 at 7pm

CENTERstage Productions presents The Iceman Cometh, a play written by Eugene O’Neill in 1939 and first published in 1946, premiered on Broadway the same year. 

A monologue will be provided at auditions and sides will be provided at callbacks.

Eugene O’Neill, who won the Nobel Prize for Literature in 1936, is generally considered to be one of our greatest playwrights. And The Iceman Cometh is considered by many to be his finest work. 

The play is set at Harry Hope’s rundown saloon and boarding house in 1912 and tells the story of a group of aimless patrons and boarders whose empty lives underscore the human need for dreaming and hope. It opens with the rag-tag group awaiting the arrival of their favorite visitor, charismatic salesman Theodore “Hickey” Hickman. Typically, Hickey brings the party and brightens their dismal lives. When Hickey appears this time, things take a turn. Hickey has a dark secret, is newly sober, and urges the men to find a new life of peace and contentment. Thrown into disarray by their fervent friend, the men at Harry Hope’s bar are forced to confront their life choices and see the reality of who they are. There is one member of the group who is not impressed with Hickey’s turnaround and demands to know why Hickey has changed his life so drastically. Eventually, Hickey is forced to reveal the devastating turn of events in his own life.

Director: Donna Betts

Producer: CENTERstage Productions

Location: The Center for Performing Arts, Rhinebeck, NY

Performance Dates: October 20-22 and October 27-29, Fridays and Saturdays at 8pm, Sundays at 3pm

Seeking: We strongly encourage women, persons of color, and LGBTQ+ individuals to audition. We are strongly committed to equity, diversity, and inclusion in all areas of our work.

Questions: Contact Director Donna Betts at bettsdo@cs.com

Casting Breakdown:

Theodore Hickman

A salesman. Immediately likable, Hickey speaks like a salesman with an easy flow of glib, persuasive convincingness. Hickey is the saloon’s anxiously awaited guest, his arrival promising free drinks and merriment. However, this time the group’s “messiah” comes bearing a different gospel of salvation, urging them to divest themselves of their pipe dreams and make peace with themselves. Male, 40 to 60’s

Larry Slade

Once a Syndicalist-Anarchist. Having bitterly retired from the work, he presents himself as a man who has chosen to watch the carnage form the grandstand of philosophical detachment and eagerly awaits his death. O’Neill notes that Larry has a mystic’s meditative eyes with a gleam of sharp sardonic humor in them and his look of tired tolerance gives his face the quality of a weary priest. Male, 60’s

Don Parritt.

Parritt is a young man who is on the run having tipped off the police about his mother’s anarchist activities. He searches for Larry who he believes was in love with his mother and who he believes was the one person who cared for him. Male, 20 to 30’s

Harry Hope

The owner of the saloon and rooming house. Likable to all he hides his vulnerability behind a testy truculent manner but fools no one. Hope has not ventured outside the bar in twenty years since the death of his wife Bessie. Male, 60’s

Rocky Pioggi

Rocky is an Italian American who tends bar at night. He maintains Pearl and Margie as “ladies of the night” but fervently claims he is not their pimp. His temperament is prickly and he is hot-headed but loyal to Harry and protective of the establishment. Male, 30 to 50’s

Hugo

Hugo spends much of the play drunk and when he does speak it is with a heavy German accent. He intermittently denounces the crowd and whines for a drink. Male, 60’s

Ed Mosher

A born grafter, con man, and practical joker. He had a career in the circus. He is Hope’s brother-in-law. Male, 50 to 60’s

Pat McGloin

Mosher’s drinking partner. He has the look of his former police days. Once brutal and greedy he is good-humored. Male 50 to 60’s

Willie Oban

Willie left Harvard Law School upon the ruin of his prominent industrialist father. Male, 30 to 50.

Joe Mott

A black man who dreams of re-opening his gambling house. Male, 50 to 60’s

Piet Wetjoen

The “General” is Lewis’s drinking partner and one-time leader of a Boer commando. Male, 60’s

Cecil Lewis

The “Captain” a Boer War veteran, speaks with an English accent. 60’s

James Cameron

Jimmy Tomorrow, a former newspaper writer, is elegant, intelligent, and reserved. Male, 60’s

Chuck Morello

Chuck is the day bartender at the saloon who plans to marry Cora. Male, 30 to 40’s

Pearl

Rocky’s “tart” a bit ditzy, sentimental and lazy, and content with life. Female, 20 to 30’s

Margie

Also Rocky’s “tart” a bit ditzy, sentimental and lazy, and content with life. Female, 20 to 30’s

Cora

Cora is also a lady of the night and plans to marry Chuck and move to a farm in New Jersey. 30 to 40’s

Moran

Detective. Male, 30 to 40’s

Lieb

Also, a detective. Male, 30 to 40’s

View Event →