CURTAINS
Saturday, May 14 @ 3:00 PM (please note this change in time)
Sunday, May 15 @ 7:00 PM
Monday, May 16 @ 7:00 PM callbacks
Up In One Productions announces open auditions for the musical comedy CURTAINS with book by Rupert Holmes, music by John Kander and lyrics by Fred Ebb from the original book and concept by Peter Stone.
The action is set in 1959 on the opening night of the new musical, Robbin Hood, at Boston’s Colonial Theatre. During her curtain call, fading film star and supremely unpleasant and untalented leading lady, Jessica Cranshaw, is mysteriously murdered onstage. The entire cast and crew become suspects. Enter a local detective, who just happens to be a passionate musical theatre fan and the fun ensues. With a rousing score, dazzling dance numbers, a witty script, and colorful characters, CURTAINS is a hilarious musical-comedy send-up of classic whodunnit murder mysteries. The Broadway production, starring David Hyde Pierce, garnered 8 Tony nominations in 2007 including Best Musical and 10 Drama Desk Award nominations, winning Outstanding Book of a Musical.
Presented by: Up In One Productions
Director/Choreographer: Thomas Netter
Music Director: Matthew Woolever
Producer: Diana di Grandi COVID AUDITION PROTOCOL: WE WILL BE USING ONLY A FULLY VACCINATED CAST, CREW, BAND AND PRODUCTION TEAM ON THIS PRODUCTION. PLEASE BE PREPARED TO SHOW PROOF OF VACCINATION WHEN YOU ARRIVE TO AUDITIONS.
Location: The CENTER for Performing Arts at Rhinebeck.
Performance Dates: July 22 – August 14; Fridays & Saturdays at 8 PM, Sundays at 3 PM
Seeking: Actors, singers, and dancers. (character breakdown below).
We strongly encourage women, persons of color, and LGBTQ+ individuals to audition. We are committed to equity, diversity, and inclusion in all areas of our work.
Prepare / Bring: - Please prepare 16 - 32 bars or 30 seconds to 1 minute of a Broadway song that you feel best showcases your voice. Bring sheet music for our accompanist. - Dance auditions and readings will be done at callbacks - sides will be provided. - Bring your schedule and be prepared to list ALL your conflicts. - All roles are open.
Questions: Contact Director Thomas Netter at: thomasnetter97@gmail.com
Casting Breakdown
LIEUTENANT FRANK CIOFFI (30’s – 40’s): Sweetly endearing local Boston detective who idolizes the world of musical theatre and has reveled in the thrill of performing in community theatre. Called upon to solve the murder of the star of “Robbin’ Hood” (a musical intended for Broadway that is currently out of town in Boston), Cioffi is very good at his job and, lamentably, married to his work. He is instantly smitten with ingénue Niki Harris. The undisputed central character of the musical. Requires deft and charming comedy, good singing, solid dancing in one extended “Fred and Ginger” number.
NIKI HARRIS (20’s-early 30’s) Pretty, almost too innocent ingénue, a local performer in a small role hoping “Robbin’ Hood” will be the Boston production that at last takes her to Broadway. Love interest for Lieutenant Cioffi, apparently reciprocated. Requires a legit soprano and strong dancing in an extended “Fred and Ginger” number.
GEORGIA HENDRICKS (30’s – mid-40’s, similar age to AARON) Female half of our show-within-a-show’s songwriting team on the lyric-writing side. Ends up taking on the leading lady role. Must sing and dance extremely well.
CARMEN BERNSTEIN (45-65) Brash and brassy Broadway producer. Terrific comedic actress with a belt.
AARON FOX (30’s – 40’s, similar age to GEORGIA) The composer of the show-within-the-show. His songwriting partner, Georgia, is also his wife, from whom he’s separated but for whom he still pines. He’s a handsome, intense, somewhat tortured artist-type. Requires a strong vocalist with comedy.
SIDNEY BERNSTEIN (Late 50’s-Mid 60’s): The always-angry, sleazy, philandering producer of the out-of-town flop. Sidney is rough around the edges and completely self-serving. Requires a cartoon-like character actor who is funny on arrival. No singing required.
CHRISTOPHER BELLING (40-60) English director. Very camp. Very droll. Noel Coward meets Addison DeWitt meets Clifton Webb. Requires a superb comic actor.
BAMBI BERNÉT (Early 20’s-early 30’s) Performer in the chorus, daughter of Carmen, step-daughter of Sidney. Genuinely brassy and artificially blonde. Hungry to work her way out of the chorus; many think she was only hired because of her mother. She surprises everyone, however, when she shows genuine dancing and singing talent when at last called upon. Requires great dancing, strong “street-smart dumb blonde” comedy, and singing.
OSCAR SHAPIRO (45-65): from the garment district and sole investor in “Robbin’ Hood.” A likeably gruff man who knows nothing about theatre and frets over every dime of his that’s spent. Requires good “rough around the edges” comedy and singing.
BOBBY PEPPER (30’s to early 40’s, similar age as Georgia and Aaron) The Gene Kelly of “Robbin’ Hood,” its choreographer and male star, and a handsome rival to Aaron for Georgia’s affection. Requires strong dancing, singing, comedy.
DARYL GRADY (30’s-40’s): Caustic and smug theatre critic for the local Boston newspaper. Patronizingly pompous, enjoys using his power to make or break shows during their Boston tryouts. Does not require strong singing or dancing.
JOHNNY HARMON * (30’s-60’s) Stage Manager of the show-within-the-show, and both drill sergeant and mother hen to the cast. Barks orders but has a pleasant side as well, he keeps the company in line and on their toes throughout the rehearsal process. Comic actor who can sing. *Note: this role might be cast with a woman using the name JENNY HARMON, with all the same character traits as described.
JESSICA CRANSHAW (40’s-60’s) Faded Hollywood star, a grand diva with no right to be one, and a plague to the show-with-in-the-show and to her cast. An absolutely dreadful singer and inept actress who stars in “Robbin Hood” and gets murdered on its opening night in Boston. Must be skillful enough to sing hilariously out-of-tune and ineptly, and adroit enough to dance perfectly out of step with the rest of the cast. Appears only in the first minutes of the musical; on Broadway, this performer adopts a different look and becomes part of the ensemble.
RANDY DEXTER (20’s – 30’s) a member of the singing & dancing ensemble featured in “Kansasland,” pleasant but with a sensitive side.
HARV FREMONT (20’s – 30’s) a member of the singing & dancing ensemble who bears a bouquet.
ROBERTA WOOSTER (20’s – 30’s) a member of the singing & dancing ensemble who speaks from experience.
ENSEMBLE Many named character roles with a LOT to do! This is a big song and dance show. Ensemble is onstage during most of it.